Friday, February 20, 2015
MADE IN BRITAIN
First introduced in 1985, the Glassmat quickly became the best selling replacement turntable mat for both the Garrard 301 and 401. It was also an outstanding success when used with all other non suspended or heavyweight turntables. So successful was the Glassmat that demand often outstripped supply. Production ceased some fifteen years ago, however due to an ever increasing interest in the 301, 401 and other classics such as the Thorens TD124, there is now a renewed demand for The Glassmat. We therefore take great pleasure in re-introducing the Glassmat. By doing so we are now able to offer it to a new breed of connoisseurs. The amazing abilities of the the Garrard 301 and 401 and other classics of that period, have ensured that these players are now commanding the kind of price that they deserve. There was never been any doubt at Slate Audio that these players produced the best sound of all time, if reality is your priority, there simply is no other choice.
The Glassmat is so good, that Ken Kessler of Hi-Fi news asked us to include this mat as the prefered mat when we were asked to restore his own reference Garrard 401 and Thorens TD124 for him. We also fitted his decks to our Slate Audio Marble Plinth system, as well as providing him with our "Powerhouse" quartz referenced power supply. This system is still in use today in his demonstration room. The results of the revised and upgraded turntables were described by him as "magnificent".
The Glassmat improves on the standard mat in a way that will astound you.The Glassmat is produced from "Low Iron Mirror Finished Glass" for a perfectly flat playing surface. The recess for the record label is machined precisely, using CNC technology. In use, the Glassmat will completely damp the platter, as well as provide a firm and unyielding surface for the record to play on. The sub-sonic bass that bowled you over on first hearing will now sound solid, taut, and completely natural with no loss of depth. The highs will be high and clear with true definition and clarity. As for the mids, they will now be produced in a way that can be unnervingly realistic. We believe that playing music at home should be an event, one that excites and is something that you look forward to with anticipation. The Glassmat will bring you closer to that event.
The new generation of Glassmats have been refined in certain areas. We now offer a specialised and dedicated mat for each of the Garrards. The Glassmat is now produced in both translucent cream or translucent brown, so are a perfect match for the 301 or 401. The translucent brown version has a universal appearance, and promises the same performance when used with all other non suspended or heavyweight turntables. We have also improved the interface between the platter and the Glassmat with the application of a special micro membrane. This important refinement has led to greater clarity and focus across the whole frequency spectrum.
The Glassmat will easily out-perform all standard or replacement mats for the 401/301/TD124/ETC, including the much more expensive Crystal Mat from Nagaoka.
Weight is 1.1 kg for increased mass and inertia, as well as complete damping of the platter. Low Iron Mirror finished glass. Diameter is 291.5mm, thickness is 6mm.
Posted by twogoodears at 2/20/2015 11:28:00 AM
Thursday, February 19, 2015
You'll be in NYC on next March, 5th?
Enjoy this event...
Posted by twogoodears at 2/19/2015 04:45:00 PM
Tuesday, February 17, 2015
... what an alien, visionary place, folks...
... not far from Flagstaff, New Mexico, close to Arizona border: a volcano re-worked in 30 years by a man whose goal was giving emotion and freeing energy of Mother Nature.
A church without a Pope.
The truest... the only...
Posted by twogoodears at 2/17/2015 09:26:00 PM
Sunday, February 15, 2015
Superb new binding-posts: Nasotec NAMOO NS-101B.
Here are few highlights...
-Made of only wood and pure copper
-Current carrying parts: pure copper, insulating parts: wood
-24K gold plated with non-magnetic undercoat
-Wooden parts: Very highly compressed (250 ton) birch plywood (They sink beneath the water)
-Drilling hole size(d): 11.5mm(0.45inch)
-Possible panel thickness for mounting (max.)
metal: 9.5mm(0.37inch) / wood(without insulation washers): 14mm(0.55inch)
-Spade contact fork size: min 6mm
-Size: 51(L)*21(D)mm / 2.0(L)*0.83(D)inch
Posted by twogoodears at 2/15/2015 06:25:00 PM
Saturday, February 14, 2015
Named "Neumann LS", hand-made in Russia and so weirdly built like the famed, sought after Neumann DST and DST 62 and soon available in a VERY limited quantity... price-tag will be an hefty USD 10.000!
Thanking Robin for sharing the first pixies of the beauty and Leonid for the measurements charts... coming soon.
Reportedly to be MUCH more consistent than Lumiere DST, without the embarrassing productions issues which flawed the great, previous Japanese replica most recent batches... so different from the gorgeous 2005 vintage I so much love and appreciate since then.
Posted by twogoodears at 2/14/2015 09:03:00 PM
Wednesday, February 11, 2015
A time machine scoop, folks… I'm a loyal follower and scholar of maestro Ralph Towner since my boyhood… I can play some of his great tunes and guitar pieces… met him several times after his concerts in my Country and own everything or so he recorded, solo, with Oregon, Paul Winter Concort or others…
… or so, I wrote…
Last Sunday flea market, visiting my vinyl pusher, he offered something… I mean something: a mint copy of Paul Winter Consort Icarus on Epic, dating back to 1972…
I was looking for this very wax since a long time and… voila': it dropped literally in my hands.
This disc is very important for any Towner, McCandless and Walcott's scholar as some great compositions were played and recorded, sort-of pre-dating the birth-to-come of Oregon, the group whose consistency lasted for about 40 discs and years, also if abruptly interrupted and shaken at its foundation when the late, great Collin Walcott perished in a dramatic car accident in Germany, in 1984… only a week or so after yours truly saw him and Oregon in concert in Padua, a 100% acoustic concert which a younger me loved immensely and which I still listen to from the C120 Dolby C cassette recorded at the beautiful venue (Sala dei Giganti at Liviano) on a Sony WM6DC.
… but back to the 'Icarus" vinyl: the group is quite raw and primitive, recording - also if cover claims production by George Martin and remixing at London AIR Studios - is nothing special.
Music is special, indeed…
On side One, the third track is a well-known title "The Silence of a Candle", a timeless melody which was reiterated more times is different shape, sell keeping its beauty.
A true masterpiece!
When my Lumiere DST cartridge reached the track, I already read from liner-notes that Ralph Towner was on vocals… also saw and read the text, so… was sort-of prepared…
A young, as seen on the hippy-ey, new-agey cover, Ralph Towner began singing with a beautiful, never heard voice… strangely reminding to me (young) Van Morrison!
Look at the standing young gent, center cover, with sideburns… those were the days.
The piano was beautifully accenting and underlining the melody and the text served the unicity and completeness - at last - of the very first iteration of the tune, which I discovered - to my surprise - to be... a song!
… not really surprised to find Ralph - beside being a guitar player, a maven on both classical and 12 strings guitars, a pianist, a cornet player - so a supremely talented and gifted multi-instrumentalist also in his early recording years, also owned such a beautiful voice… well, this made me feeling closer to one of my most beloved composers and musicians in my personal Pantheon.
… not shocked or surprised, but with a sense of warmness and communion, coming from knowledge and enjoyment.
… from the mist of long-gone decades, to the eternity of Music.
Thanking maestro Towner for the endless pleasure he gave to me with his music and trusting he's better, now and fully recovered and re-found good health.
Posted by twogoodears at 2/11/2015 07:05:00 PM
Monday, February 9, 2015
... my music source of choice: last evening, playing live... with the humble '69 Harmony Sovereign H-1260 acoustic...
... I guess, looking at the capo at 3rd fret, while playing Bert Jansch's "Veronica".
Thanking the unknown photographer for the nice shot... it's truest me.
Posted by twogoodears at 2/09/2015 08:45:00 PM